WHO IS THE MASTER WHO MAKES THE GRASS GREEN?
film/interview by Edgar Pêra Lisboa 1994
Reality-Tunnels according to Master Bob a.ka. Robert Anton Wilson, from the Sub-Geniuz Zchool of Thought. Re-interpretation by Master Joçao Queiroz
7 min. 1996. Prize Tampere Festival
The Solar System
Support this project at:
Indiegogo: http://www.indiegogo.com/Solar-system-educational-program
Rock The Post: http://www.rockthepost.com/posts/view/319/The-Solar-System-Explore-Your
“The Solar System - Explore your backyard” is a highly immersive application that illustrates rather well the vastness of the world around us. Information regarding planets, constellations and countries are available at the click of a button, and in a fashion rarely seen. Rather than simply telling you the facts, I find that it’s easier to show you; This means that instead of just reading about the gravitational pull or cross section of a planet, you get to view it in 3D in real time.
This video is a quick fly-through, showing the different features available. Everything you see is ‘In game’.
Homepage: http://www.explorethesolarsystem.com
Developers homepage: http://www.chrisalbeluhn.com
Facebook Page: http://www.facebook.com/Explore.The.Solar.System
Bill Sauder’s Most Memorable Moment with Titanic Artifacts…
The Moses Bridge, Holland
All phenomena are real in some sense, unreal in some sense, meaningless in some sense, real and meaningless in some sense, unreal and meaningless in some sense, and real and unreal and meaningless in some sense.
’Waves’ utilizes a basic construction of a long piece of elastic string and two motors to visualize the presence of people close to the installation. The string between the two motorized chambers reacts to the people presence and movements, it twirls to produce a sine-wave simulation that eloquently resembles both the digitization of real-time sound waves and patterns of flow and connectivity found in natural systems.
The simple act of making the “invisible” visible can produce profound effects in both our understanding of the world around us and the close relationship we have to the natural and built environment that we occupy daily. Although the project may seem like a simple visualization of intangible forms, it nevertheless connects to our visceral side by creating unique sound output and striking visual stimuli that engage with “persistence of vision” and our connection to the spaces we occupy and their sonic and electromagnetic inhabitants.
More info at: danielpalacios.info
In which John relates a condensed history of India, post-Indus Valley Civilization. John explores Hinduism and the origins of Buddhism. He also gets into the reign of Ashoka, the Buddhist emperor who, in spite of Buddhism’s structural disapproval of violence, managed to win a bunch of battles.
How to buy a car
Bruce Bueno de Mesquita, author of The Predictioneer’s Game, shares his foolproof method for getting your next car for the lowest price possible.
The Way of the Dream
Marie Louise Von-Franz
The world is an illusion, but it is an illusion, which we must take seriously, because it is real as far as it goes, and in those aspects of the reality, which we are capable of apprehending. Our business is to wake up. We have to find ways in which to detect the whole of reality in the one illusory parts which our self-centered consciousness permit us to see. We must not live thoughtlessly, taking our illusion for the complete reality, but at the same time we must not live too thoughtfully in the sense of trying to escape from the dream state. We must continually be on the watch for ways in which we may enlarge our consciousness, we must not attempt to live outside the world, which is given us, but we must somehow learn how to transform it and transfigure it. Too much ‘wisdom’ is as bad as too little wisdom, and there must be no magic tricks. We must learn to come to reality without the enchanter’s wand and his book of the words. One must find a way of being in this world while not being of it. A way of living in time without being completely swallowed up in time.
